Chapter 56 – Zélie
We zip through the crowd while celebrants thrust and shimmy by our sides. Though part of me wants to cry, I crane my neck to take in the crowd, craving their joy, their life.The children of Orïsha dance like there’s no tomorrow, each step praising the gods. Their mouths glorify the rapture of liberation, their hearts sing the Yoruba songs of freedom. My ears dance at the words of my language, words I once thought I’d never hear outside my head. They seem to light up the air with their delight.
It’s like the whole world can breathe again.
This could be compared to a festival
A message I take from this scene is that Zelie has not felt joy in such a long time
Chapter 59 – Zélie
“How will me coming back to Lagos solve any of that?” I ask. “As we speak, your father calls for my head!”
“My father’s scared.” Inan shakes his head. “He’s misguided, but his fear is justified. All the monarchy’s ever seen is the destruction maji can bring. They’ve never experienced anything like this.” He gestures to the camp, face alight with so much hope his smile practically glows in the darkness. “Zulaikha created this in one moon, and there are already more diviners in Lagos than anywhere else in Orïsha. Just imagine what we could accomplish with the resources of the monarchy behind us.”
“How will me coming back to Lagos solve any of that?” I ask. “As we speak, your father calls for my head!”
“My father’s scared.” Inan shakes his head. “He’s misguided, but his fear is justified. All the monarchy’s ever seen is the destruction maji can bring. They’ve never experienced anything like this.” He gestures to the camp, face alight with so much hope his smile practically glows in the darkness. “Zulaikha created this in one moon, and there are already more diviners in Lagos than anywhere else in Orïsha. Just imagine what we could accomplish with the resources of the monarchy behind us.”
This could be compared to
A message I take from this scene is that the royalties are afraid of majis because they have done some bad things in the past
Chapter 66 – Inan
Father stands in his night robes, scanning a faded map. No sign of hatred. Not even a hint of disgust.
For him, carving MAGGOT into a girl’s back is just another day’s work.
…
In that instant it hits me: Zulaikha’s death. Zélie’s screams. They don’t mean a thing to him. Because they’re maji, they’re nothing.
This could be compared to a movie where there are lots of violence
Father stands in his night robes, scanning a faded map. No sign of hatred. Not even a hint of disgust.
For him, carving MAGGOT into a girl’s back is just another day’s work.
…
In that instant it hits me: Zulaikha’s death. Zélie’s screams. They don’t mean a thing to him. Because they’re maji, they’re nothing.
This could be compared to a movie where there are lots of violence
A Messege I take from this scene is that king saran would do anything to get what he wants
Think about how the word ‘maggot’ is used. This is a slur. Do we have these in real life?
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